Barriers to Creativity
Barriers to Creativity
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|0:00||Why Barriers are Difficult to Identify|
|2:04||1: Prioritizing Skills Over Craft|
|5:30||2: Unconstructive Feedback|
|9:39||3: The Artist “Hat”|
|12:26||4: Striving for That “Perfect” Photograph|
|15:53||5: Becoming Uncomfortable|
About this Lesson
Welcome back for Lesson Two!
Today’s lesson unpacks one of the biggest challenges you will face as a photographer.
It’s one that I’ve seen come up time and time again in my 11+ years of teaching Lightroom and Photoshop…
And that is feeling stuck in a creative rut.
- Have you ever felt overwhelmed once you jump into Lightroom and Photoshop?
- Completely lost on the next step to take?
- Or perhaps you spent an hour (or more!) on a single image…and are STILL unsatisfied with the result?
It can be quite defeating to feel like your creativity has plateaued, especially when you’re excited and energized by what you’ve captured in the field.
Because rarely does the raw file accurately represent what we saw and felt when photographing the moment…
So we rely on the darkroom to enhance our images and bring that experience to fruition.
However, our processing “workflow” can sometimes feel like it’s just random button-pushing and slider adjustments…
Until we compromise for a final image that never reached its full potential because we don’t know what else to do.
This is a VERY common challenge with both new and seasoned photographers once they enter the darkroom…and it makes you feel like you’re stuck in a creative rut.
Here’s the problem:
There are hidden “creative barriers” standing in your way that prevent you from moving forward.
And here’s the BIGGER problem:
Many photographers aren’t even aware that these barriers exist, so they can’t pinpoint the cause…
And when you can’t identify the cause, you lack the necessary context to overcome these roadblocks and create the image you desire.
So instead, we tend to blame ourselves…
“I’m in a creative rut”.
“I need to wait for inspiration to hit me”.
“I guess I’m just not that imaginative”.
It’s defeating, but entirely avoidable.
So rather than settling for an image that’s just “good enough”, we need to first clearly identify these creative barriers that make the darkroom SEEM like such a challenging space.
Because there is a BIG difference between just processing an image, and creating a photograph that expresses our vision…
And in the following video, I’ll show you the most common barriers that are preventing you from reaching your full potential and siphoning the fun out of processing.
HINT: It’s almost never because of a lack of technical skill!
Here’s what you’ll learn in your second lesson:
- Why it’s a myth that some photographers are just naturally “gifted” with artistic abilities, and that a true talent for expression can not be taught.
- Why sitting back and waiting for inspiration to hit you rarely works.
- How to overcome indecision in the darkroom, and why this is your biggest enemy.
- Why you can not base the value of your art on what others deem as aesthetically pleasing…and how to properly curate feedback as constructive or subjective.
- Why thinking “like an artist” can sabotage your creative process.
- What it truly means when you come home without an image you like.
- The REAL reason why we doubt our creative abilities as photographers, and how detrimental this can be to our ability to express freely and authentically.
- What to do when the creative energy and excitement you had when taking the photo isn’t carried over to the darkroom.
Here’s why this lesson is so important:
Even if your images are aesthetically pleasing…
If they don’t tell the story you want them to tell, and if they don’t convey the atmosphere of that experience…your photography is going to feel like an empty win.
I’m sure you have a treasure trove of images in your portfolio right now that you initially passed over because these barriers were standing in your way…just waiting to be processed and polished!
In a few days, you’ll receive your third lesson where we will dive deep into the root causes of overwhelm, confusion, and frustration whenever you attempt to learn a new darkroom skill…
And how to reassemble your processing workflow that makes learning effortless, fun, and most importantly – creatively rewarding!
I think you’re going to find it very enlightening.
PS – Have a question about these videos? Just leave a comment below or message me privately by clicking the orange button in the bottom-right corner.
Thanks another great video with ideas to think about.
I’m glad that you found it helpful…thanks for the feedback Denise 🙂
This video pinpointed quite a few issues which have been cropping up lately. Thank you for sharing your insights.
Thank you Marietjie! I’m happy you found it useful.
I thoroughly enjoyed this second video of the series and find the psychology behind the approach to creating images fascinating. On the last slide you said that by following the same approach to each photograph and how we process them, we can end up with a portfolio of images that all look the same. Is this necessarily a bad thing? After all, some photographers call this their style. For example, when I see an image that’s by Anton Corbijn I immediately know it’s one of his images exactly because of the way it has been processed. Have I missed your point? I’d appreciate your thoughts especially as I agreed with everything else that was covered in this episode. Many thanks and I’m eagerly awaiting the next instalment!
Hi Alwyn! Thanks for the great feedback. It’s perfectly fine to have a unique style…but that shouldn’t be your goal, but rather a happy side-effect from creating the images you want. What I’m trying to discourage here is being creatively boxed in by an aesthetic. Sometimes, when we stumble onto something that works well for us, we get excited and energized by this discovery and try to recreate that for subsequent images…which most likely, won’t be as fulfilling since we’re trying to force that new image into a workflow that was based on a response to a completely different set of conditions. If your images just happen to look similar based on your authentic processing, then that’s great! Just avoid trying to force an image to fit into a specific workflow without first considering whether or not that’s the best response to the unique content of that image. Hope that helps to clarify, please let me know if this makes sense as I can sometimes go on tangents 🙂
Hi Christopher, thanks for the reply. I read over it a couple of times and I get what you are saying and to a large extent I agree. On Friday I shot a waterfall and had 6 images I liked out of the 74 I shot, Three of those were similar close-ups of a protruding rock which I processed pretty much identically then converted one to b/w which worked really well. Of the other 3, 2 were from the same viewpoint but were half height and full height shots and those were again processed similarly but different from the close-ups. The last one was a completely different shot and processed differently to the rest of the selection. So in effect I processed those 6 images 4 different ways. That would fall in line with your advice to not fall into the style trap, but at the same time, all of the images (I feel) have my “style” about them when it comes to my waterfall pictures…other scenes I shoot look different. Going forward, I think your advice is on point and whether I’m doing it consciously or sub-consciously I’m following your teaching!