Table of Contents
|1:43||Determining the Mood/Intent|
|3:54||Basic Tonal Adjustments|
|5:52||Burning the Sky|
|9:58||Local Dodging and Burning with the Brush|
|12:44||Radial and Graduated Filters|
|15:33||Color Dodging and Burning|
Table of Contents
|0:00||Overview of the Dodging and Burning Workflow|
|2:43||Setting Up the Burn Layer|
|5:37||Why a Solid Color Adjustment Layer is Better than a 50% Grey Layer|
|10:53||Using Curves to Add More Texture|
|13:35||Setting Up the Dodge Layer for Light Painting|
|16:18||Color Dodging and Burning|
|18:36||Using Luminosity Masks to Prevent Washed Out Contrast|
|20:44||Using Dissimilar Colors to Dodge and Burn a Color Image|
|23:37||Tips on Burning a Color Image|
|26:27||The Benefits of Using Curves to Dodge and Burn|
|29:54||Repurposing Layer Masks|
Dodging and Burning …
This is the most effective Photoshop technique for directing the eye through the frame. By manipulating light and shadow, we can literally draw a path for the eyes to follow by subduing distractions and enhancing our focal points. When done correctly, you can transform a strong composition into something extraordinary.
Because this is a powerful technique, the risk for side effects is also great. Muddy detail, loss of contrast, unwanted color shifts…these are all things you need to compensate for when dodging and burning. And sometimes, you may not even be aware that you are damaging your image until it’s too late.
So for this tutorial, I’d like to show you my new dodging and burning workflow that accomplishes two very important things:
- Minimizes the unwanted side effects of dodging and burning by protecting your image, and
- Grants you the most creative freedom while retaining the highest quality detail.
Both Lightroom and Photoshop have unique strengths and weaknesses…so depending on the image and your creative intent, you may be better off working in one program over the other (or perhaps a bit of both).
In your next lesson, we’ll discuss this in more depth: the specific pros and cons of both programs, and go over different scenarios where one program outshines the other.
This lesson is pulled directly from The Darkroom, my private mentorship program for those looking to create more meaningful images in Lightroom and Photoshop.